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Dutch Neorealism, Cinema, and the Politics of Painting, 1927–1945, Routledge (Under Contract).


“Dutch Neorealism and Cinema Magic: The Case for a Filmic Modernism,” Modernism/modernity, vol. 30, no. 2 (April 2023): 227–250.

"Silver and Sanctified Bookkeeping: Saint Eligius and the Smelting of Sin in the Wittenberg Heiligtum," Zeitschrift für Kunstgeschichte, 80. Band (2017): 329–348. 


“Physiognomic Typage and the Construction of the Archetypal Weimar-Era Hausfrau in Georg Wilhelm Pabst’s Abwege/The Devious Path,” Moving Image Review & Art Journal, 4.1, 17 (2016): 102–117.


 “Faces and Figures: Richard Diebenkorn's Figurative Space,” Van Doren Waxter and Richard Diebenkorn Foundation, May–June 2024 (forthcoming).


Ten entries for catalogue of the John Ashbery Collection at the Morgan Library (forthcoming).

“Rebuilding Paradise Lost. Dutch Art and Innovation as Both Ideal and Solution,” exh. cat., Eden and Everything After, Arkeologisk Museum of Universitetet I Stavanger, 2023: 57–61.



"In the Black Fantastic, Hayward Gallery," Millennium Film Journal, no. 77, April 2023, 14.

“Tuan Andrew Nguyen, Unburied Sounds, James Cohan Gallery,” Afterimage: The Journal of Media Arts and Criticism, vol. 49, issue 3, 2022: 103–106.

"Engineer, Agitator, Constructor: The Artist Reinvented: 1918–1938, MoMA,” Burlington Magazine, March 2021: 283–285.


"Theater of Operations: The Gulf Wars 1991–2011," ARTMargins Online, January 29, 2020.

“At Frida Kahlo Show in Brooklyn, the Personal is Commercial (and Sponsored by Revlon),” Hyperallergic, May 7, 2019.


“De Wereld van Pyke Koch,” Shift Graduate Journal of Visual and Material Culture, No. 11: Blood and Earth and Soil, 2019.


“From Audubon to Warhol: The Art of American Still Life, Philadelphia Museum of Art,” Art Inquiries, Vol. XVII, No. 1, 2016: 76–79. ​

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