BOOKS
Dutch Neorealism, Cinema, and the Politics of Painting, 1927–1945. New York and London: Routledge, 2025.
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PEER-REVIEWED JOURNAL ARTICLES
“Willem Sandberg, Chris Engels, and the Midcentury “Birth” of Modern Art in Curaçao,” Stedelijk Studies, vol. 14, Amsterdam: Reconsidering the Transnational (September 30, 2024).
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“Community and Gesamtkunstwerk: Dick Ket’s Self-Portraiture and the Debt of Epic Film” Art History, vol. 47, no. 3 (June 2024): 542–570.
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“Dutch Neorealism and Cinema Magic: The Case for a Filmic Modernism,” Modernism/modernity, vol. 30, no. 2 (April 2023): 227–250.
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"Silver and Sanctified Bookkeeping: Saint Eligius and the Smelting of Sin in the Wittenberg Heiligtum," Zeitschrift für Kunstgeschichte, 80. Band (2017): 329–348.
“Physiognomic Typage and the Construction of the Archetypal Weimar-Era Hausfrau in Georg Wilhelm Pabst’s Abwege/The Devious Path,” Moving Image Review & Art Journal, 4.1, 17 (2016): 102–117.
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CATALOGUE ESSAYS
Ten entries for catalogue of the John Ashbery Collection at the Morgan Library (forthcoming).
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“Faces and Figures: Richard Diebenkorn's Figurative Space,” Van Doren Waxter and Richard Diebenkorn Foundation, May–June 2024.
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“Rebuilding Paradise Lost. Dutch Art and Innovation as Both Ideal and Solution,” exh. cat., Eden and Everything After, Arkeologisk Museum of Universitetet I Stavanger, 2023: 57–61.
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EXHIBITION REVIEWS (SELECTED)
"In the Black Fantastic, Hayward Gallery," Millennium Film Journal, no. 77, April 2023, 14.
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“Tuan Andrew Nguyen, Unburied Sounds, James Cohan Gallery,” Afterimage: The Journal of Media Arts and Criticism, vol. 49, issue 3, 2022: 103–106.​
"Theater of Operations: The Gulf Wars 1991–2011," ARTMargins Online, January 29, 2020.
“De Wereld van Pyke Koch,” Shift Graduate Journal of Visual and Material Culture, No. 11: Blood and Earth and Soil, 2019.
“From Audubon to Warhol: The Art of American Still Life, Philadelphia Museum of Art,” Art Inquiries, Vol. XVII, No. 1, 2016: 76–79. ​
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